{REVIEW} Wale’s “everything is a lot” Is a Modern Blues Album where Rap n R&B Intersect

Wale’s new album had me stop everything. Not just pause a playlist or skim a few tracks. I mean actually stop and take a breath. I needed a minute to sit with it. To feel it. This album made me reflect and be grateful for everything Wale has given to the game, because whether people realize it or not, this man has been handing out pieces of his heart since the blog era. And with Everything Is a Lot, he might have just given us one of his most personal pieces yet.

There’s something about Wale’s trajectory that’s always felt both brilliant and misunderstood. Had he stayed strictly on the rap heavy, lyrical path he came in on, I honestly believe we’d be talking about him as a top 10, maybe even top 5 rapper of this generation. But Wale made a conscious decision to pivot. Instead of just chasing rap greatness, he carved out a softer, more introspective lane that let him touch the R&B side in a way nobody else really has. He’s one of the best crossover artists we’ve ever seen, and still, one of the most underappreciated songwriters and storytellers in hip hop.

The Space Between Pain and Precision

Wale’s pen has always been elite. But this album just hits different. It’s poetic without feeling performative. From the very first track “Conundrum,” he’s laying bare the contradictions and cold truths he carries. When he says, “Heart colder than most because I can love you to death but still gotta get ghost sometimes,” or “She tell me I’m selfish, I tell her I’m self-aware,” it’s not just a clever bar. That’s him getting something off his chest, not just filling space.

This project also shows off how he flexes on sample choices. Whether it’s Goapele’s “Closer” on “Watching Us” or the cinematic horns on the Michael Fredo record, Wale’s production always feels carefully selected. Like he is scoring a scene in his own movie. His sound choices aren’t about nostalgia. They are about elevation.

And even when he’s not doing traditional rap, he’s still rapping better than most. That Michael Fredo stretch alone is wild. He goes from the somber depth of “Blanco,” a brutally honest look at drinking and depression, straight into an interlude and then blacking out over wartime horns. That’s sequencing, emotion and range, all wrapped in one moment.

Favorite Records That Will Stay on Repeat

“Blanco” hit me hard. I had that one on repeat. It’s one of those songs that makes you sit still and feel everything at once. He opens up about battling demons, specifically through alcohol, and he does it in a way that’s so honest it feels like you are sitting in the room with him. He starts by mentioning he needs to free his mind and that we’re all fighting some type of demon, but his just happens to be Blanco Reposado. We hear artists talk about their struggles with drugs and alcohol all the time, but the way Wale paints the picture on this record is so Wale — detailed and full of depth. That was the one that really made me feel like I was listening to a modern blues record.

Then you get into “Power and Problems,” where lines like “I know now my love language is solitude” feel like journal entries more than verses. He talks about paranoia, loss and surviving the industry in a way only someone who has really been through it could say.

“Watching Us” featuring Leon Thomas? That’s pure R&B club night energy. The Goapele sample hits, the hook is catchy and Wale’s verses are so relevant to today’s culture. It’s about love in the public eye, the kind that instantly goes viral. But it’s smooth, not messy. That’s a tough balance to strike and he nailed it.

Other standouts include “Tomorrow Today,” “Corner Bottles,” and “Survive” featuring Ty Dolla Sign and Nino Paid, which tells the story of processing grief and shaking back after loss. And do not sleep on the outro “Lonely” featuring Shaboozey. That one’s slick. The way he flips the “We Outside” phrase into “I heard it gets lonely outside” is genius. Almost like a wink to everyone acting like the party life is sustainable.

Wale Still Got It and He’s Still Got More to Say

Ranking Wale albums is always tough. They all have such a poetic core that speaks to different parts of life. But Everything Is a Lot definitely lives in the top three for me, alongside Wow… That’s Crazy and Shine. Every project Wale drops gives you a little more of the full picture. And this one? It sounds like the blues in rap form. Heartbreaking. Honest. Beautiful.

Whether you’ve been following him since the DatPiff days or you are just now tuning in, this album is proof that Wale’s story still matters. And if you really listen, he has been telling us the truth the whole time.