LINK TO BLUE NOTE WEBSITE FOR TICKETS

I’ve been following Jay Worthy for a while now, and Once Upon a Time  might be the most complete and intentional project he’s dropped so far. This album isn’t just a playlist of good songs. It’s a fully curated experience that shows just how far he’s come, both in sound and vision. It’s got all the West Coast elements we know him for, but now they feel more polished, more grown. Worthy isn’t just rapping on this one. He’s orchestrating. He put his A and R hat on heavy and ca

A growing number of independent artists are weighing whether to remove their music from platforms like Spotify and Apple Music in favor of direct to fan monetization. In a recent episode of No Labels Necessary , Brandman Kory broke down the pros and cons of artists exiting traditional digital streaming platforms, highlighting examples from creators like LaRussell and Jack Harlow and analyzing commentary from other influencers like Tom Dupree III. The Arguments for Leaving DSP

AI music startup Udio has made significant changes to its Terms of Service, limiting user rights and granting the company expanded control over uploaded content. The update, finalized on October 29, 2025, affects users' ability to download their own songs and clarifies Udio's ability to use submitted content to train its AI models. According to entertainment attorney and YouTuber Miss Krystle, Udio's new terms explicitly state that "by using the platform, you’ve already agre

Apple Music's latest Rap Life Review  episode covered multiple developments in the hip hop world, including Grammy nominations, G Herbo's latest project, Max B’s release, and Rock and Roll Hall of Fame inductions for Outkast and Salt-N-Pepa. G Herbo, Mental Health, and the Evolving Legacy of a Street Poet The hosts opened by discussing G Herbo’s new album, which they described as possibly the strongest release of his career. While the rapper has long faced criticism for rapp

TICKET LINK

During his recent sit down with the One More Time Podcast, LaRussell offered a wide ranging and transparent look into what it truly means to be an independent artist operating at scale. Early in the interview, he broke down the increasing demands of growth, saying, "The larger you get as an indie, the more you need." He likened the difference between early and current stages in his career to feeding a Chihuahua versus feeding a bear. When you’re operating at a higher level,

A major shift in music charts sparked one of the episode’s most focused discussions. For the first time in decades, no rap song appeared in the Billboard Hot 100’s top 40. That statistic came just after Kendrick and SZA’s “Luther” fell off the charts, marking a rare moment where hip hop’s presence had disappeared from a key space in popular music. Jeremy, Elliot, and DJ Hed explored the reasons behind the shift. DJ Hed revisited an earlier post he had written, where he calle

When Top Dawg Entertainment co-president Terrence “Punch” Henderson sat down with Elsie Not Elise , it felt like a full-circle moment. Nearly three decades after TDE quietly began inside a South Central garage, Punch spoke about those early days with the same clarity and humility that shaped the label’s run. He remembered the mid-90s origins vividly, when Top Dawg, still finding his way through the streets, built a small studio with dreams bigger than his block. “The studio l